include("body.php");
?>
Chapter Thirty-seven
Srngara-rasa-vicara
Srngara-rasa (Madhura-rasa)
Again and again relishing the sweetness of the bhavas,
Vijaya-kumara offered dandavat obeisances to his spiritual
master's lotus feet. He asked, "O master, I have understood
vibhava, anubhava, sattvika-bhava, and vyabhicari-bhava. I have
also understood sthayi-bhava. However the rasa that comes from
the meeting of the sthayi bhava with the previously described
four ingredients has not yet manifested within me. Why is
that?"
Gosvami: O Vijaya-kumara, you should understand about the rasa
called srngara-rasa. Only then will you be able to understand
the sweetness of sthayi bhava.
Vijaya-kumura: What is srngara-rasa?
Gosvami: When madhura-rasa becomes very beautiful, it is called
'srngara-rasa'. This rasa is of two kinds: 1 vipralambha
(separation) and 2 sambhoga (enjoyment).
Vijaya-kumara: I wish to learn about vipralambha.
Gosvami: Whether they meet or not, the two youthful lovers,
yearn to embrace and enjoy many pastimes. When these desires
remain unfulfilled, their love (bhava) becomes very great. This
most intense emotional state, which make the happiness of
meeting all the greater, is called 'vipralambha'. The word
'vipralambha' means parting (viraha) or separation
(viyoga).
Vijaya-kumara: How does vipralambha make the happiness of
sambhoga (meeting) greater?
Gosvami: When a red cloth is polaced again into red dye, the
cloth is made even more red. In the same way, vipralambha
increases the enjoyment of the lovers when they finally meet.
Without vipralambha, the enjoyment of sambhoga does not become
increased.
Vijaya-kumara: What are the different kinds of
vipralambha?
Gosvami: There are four kinds of vipralambha: 1 purva-raga, 2
mana, 3 prema-vaicittya and 4 pravasa.
Vijaya-kumara: What is purva-raga?
Gosvami: Before the young lovers meet they may somehow see each
other, hear of each other, or in some other way come to know of
each other. When, by these activities they become attracted to
each other and begin to fall in love, that is called
'purva-raga'.
Vijaya-kumara: What are the different ways they may see each
other?
Gosvami: The lover may see Krishna directly, see a picture of
Him, or see Him in a dream. These ways of seeing Him are called
'darsana'.
Vijaya-kumara: What are the different ways they may hear of each
other?
Gosvami: They may hear from the mouth of a poet reciting
prayers, from the mouth of a gopi-friend, from the mouth of a
gopi-messenger, or from a song, or in some other way. That is
called 'sravana'.
Vijaya-kumara: What causes them to be attracted and fall in love
(rati).
Gosvami: I have already described the many causes of rati,
causes that begin with abhiyoga. These are said to be the causes
in purva-raga also.
Vijaya-kumara: Who attains purva-raga first: Krishna or the
gopis?
Gosvami: This may be considered in different ways. In the
material world woman are shy and posses other feminine
qualities. For this reason it is the man who pursues the woman.
However, it is also said that women are naturally more attracted
to the affairs of love, and therefore doe-eyed women feel
purva-raga first. In the Bhakti-sastras it is that the devotee
feels purva-raga first, and the Supreme Personality of Godhead
feels purva-raga afterward. Therefore it is said that the
vraja-gopis feel purva-raga most intensely, and they feel it
first.
Vijaya-kumara: What are the vyabhicari-bhavas in
purva-raga?
Gosvami: Included among the vyabhicari-bhavas in purva-raga are:
disease, doubt, envy, fatigue, disappointment, eagerness,
humility, anxiety, dizziness, alertness, lamentation, inertness,
madness, confusion, and death.
Vijaya-kumara: How many different kinds of purva-raga are
there?
Gosvami: There are three kinds of purva-raga: 1 praudha, 2
samanjasa and 3 sadharana.
Vijaya-kumara: What is praudha purva-raga?
Gosvami: When it is manifested in samartha-rati, purva-raga is
manifested as praudha-purva-raga. In this kind of purva-raga,
yearning, death, and other conditions of life are manifested.
The vyabhicari-bhavas are filled with yearnings.
Vijaya-kumara: Please describe these different conditions of
life.
Gosvami: It is said in the Ujjvala-nilamani:
"Yearning, anxiety, wakefulness, emaciation, being stunned,
bewilderment, disease, madness, illusion and death are the ten
conditions present in purva-raga."
Vijaya-kumara: What is yearning?
Gosvami: Yearning is an intense desire to attain the beloved. In
it eagerness, restlessness, moving to and fro, sighing and other
like symptoms are manifested.
Vijaya-kumara: What is anxiety?
Gosvami: Anxiety is when the mind is restless. In this condition
there are deep sighs, restlessness, being stunned, worry, tears,
becoming pale, perspiring and other like symptoms.
Vijaya-kumara: What is wakefulness?
Gosvami: Wakefulness is when sleep is destroyed. In this
condition there are being stunned, being withered, being angry,
and other like symptoms.
Vijaya-kumara: What is emaciation?
Gosvami: Emaciation is when the body becomes very thin. In this
condition there are weakness, giddiness, and other like
symptoms. In some texts the word 'vilapa' (lamentation) is read
here.
Vijaya-kumara: What is being stunned?
Gosvami: Inability to see any difference between what is
desirable and what is not desirable, failure to answer
questions, and the ability to see or hear are present when one
is stunned. Inarticulate sounds made suddenly and for no reason,
inertness, long sighs and bewilderment are also included among
the symptoms here.
Vijaya-kumara: What is bewilderment?
Gosvami: The state of being deeply upset and thus unable to cope
is called bewilderment. In this condition there are
disappointment, melancholy, envy, and loss of
discrimination.
Vijaya-kumara: What is disease?
Gosvami: Disease is when, because of being unable to attain the
beloved, one become pale and feverish. In that condition one
yearns for coolness, one is bewildered, one sighs and one falls
to the ground.
Vijaya-kumara: What is madness?
Gosvami: When, in every place, every condition and every time
one is bewildered and says things are other than they actually
are, that is called madness. Hatred of the beloved, sighing,
blinking of the eyes, and separation from the beloved are
included in madness.
Vijaya-kumara: What is illusion?
Gosvami: When the mind acts in a contrary, improper way, that is
called illusion. Being motionless and fainting occur in
illusion.
Vijaya-kumara: What is death?
Gosvami: When, in spite of all efforts to make Him return, the
beloved does not return, the lover, tormented by love, yearns
for her own death. She bequeaths to her friends all her
favourite things: the bumblebees, the gentle breeze, the
moonlight, and the kadamba flowers. This is the anubhava.
Vijaya-kumara: What is samanjasa purva-raga?
Gosvami: Samanjasa purva-raga is manifested in samanjasa-rati.
In it are manifested desire, thoughtfulness, remembrance,
glorifying the beloved's virtues, passion, lamentation, madness,
disease, being stunned, and death.
Vijaya-kumara: In this context what is desire?
Gosvami: To yearn for the touch of the beloved is called
'desire'. To attain this desire the lover decorates herself with
ornaments and reveals her passion.
Vijaya-kumara: In this context what is thoughtfulness?
Gosvami: To think of different ways to attain the beloved is
called thoughtfulness. In this situation the lover carefully
arranges the bed, sighs, and anxiously looks to see the
beloved's arrival.
Vijaya-kumara: In this context what is remembrance?
Gosvami: To think of the beloved and things in relation to Him
is called remembrance. In this situation the lover trembles, has
a seizure where she loses control of her limbs, weeps, sighs,
and performs other like activities.
Vijaya-kumara: What is glorifying the beloved's virtues?
Gosvami: To praise the beloved's handsomeness and other virtues
is called glorifying the beloved's virtues. In this situation
the anubhavas include trembling, standing up of the body's and
choking of the voice. In this situation anxiety, mad
lamentation, disease, being stunned, and death are manifested in
samanjasa purva-raga as they are also in samanjasa-rati.
Vijaya-kumara: O master, please describe sadharana
purva-raga.
Gosvami: Sadharana samanjasa purva raga is like sadharana-rati.
In it are manifested the six conditions beginning with
lamentation, only their manifestation is softer. The situation
is natural, so there is no need to give any examples. In this
purva-raga the lovers send love letters, garlands and other
things to be placed in each other's hands.
Vijaya-kumara: What are the love-letters?
Gosvami: Love-letters are of two kinds: 1 those that are not
written with words, and 2 those that are written with words.
Because in them the author reveals His or Her love, they are
called 'love-letters'.
Vijaya-kumara: What are the love letters that are not written
with words?
Gosvami: Without drawing any words, the author may use her
fingernail to draw a half-moon on a red flower petal or leaf.
That is called 'a letter written without any words'.
Vijaya-kumara: What is a love-letter that is written with
words?
Gosvami: When the lover personally writes with His or Her own
hand verses in the Prakrt language, that is called a 'love
letter that is written with words'. The ink for the letter may
be red hingula, musk or black ashes and water. The pages of the
letter are extraordinarily large flower petals. The stamp to
seal the letter is made of kunkuma. Lotus fibers are the string
to tie the pages together.
Vijaya-kumara: What is the sequence of events in
purva-raga?
Gosvami: First there is the sight of something pleasing to the
eye. Then there is thinking of what one has seen. Then there is
attachment, then yearning, then loss of sleep, then becoming
emaciated, then renouncing all else, then destruction of
shyness, then madness, then falling unconscious and then death.
These are the stages of love. These stages are manifested in
both the hero and the heroine. However, they are manifested
first in the heroines and only later in Krishna.
Vijaya-kumara: What is jealous anger?
Gosvami: When the lovers meet, but the heroine will not allow
her lover to touch her, that is called jealous anger. Disgust,
anxiety, restlessness, arrogance, envy, concealment, loss and
worry are included among the sancari-bhavas in jealous
anger.
Vijaya-kumara: Where does jealous anger rest?
Gosvami: Jealous anger rests in ya (love). Before ya
exists jealous anger cannot be said truly to exist. If it exists
at all, it is very stunted. Jealous anger is of two kinds: 1
with a cause, and 2 without a cause.
Vijaya-kumara: What is jealous anger with a cause?
Gosvami: When the beloved gives His affection to a rival, and
the lover feels jealous anger mixed with love (ya), that is
called jealous anger with a cause. The ancient sages affirm that
without sneha, fear is not possible, and without ya,
jealous anger is not possible. Therefore, when jealous anger is
manifested, this reveals the love felt by the hero and heroine.
A girl who sincerely loves her beloved cannot bear the idea of a
rival for her beloved's affections. When the Dvaraka queens
heard that Krishna had given a parijata flower to Rukmini,
jealous anger arose only in the heart of Satyabhama and not in
the heart of any other queen.
Vijaya-kumara: In what different ways is the rival (vipaksa)
discovered?
Gosvami: There are three ways: 1 the lover hears about her
rival, 2 she suspects the rival's existence, and 3 she sees the
rival in a dream.
Vijaya-kumara: What is hearing about the rival?
Gosvami: The lover may hear from the mouth of one of her
friends, from the mouth of a parrot, or from the mouth of
someone else. In these ways she hears about her rival.
Vijaya-kumara: How does she suspect her rival's existence?
Gosvami: She may see the marks of amorous enjoyment, hear the
name of her rival accidentally spoken, or see her rival in a
dream. In these ways she may suspect the existence of a rival.
On the limbs of her beloved she may see various signs of His
having enjoyed with another girl. That is called 'seeing the
marks of enjoyment'. Her beloved may accidentally speak the name
of a rival. That is called, 'hearing the name of her rival
accidentally spoke'. These things make the heroine so sad that
she wishes she were dead. In a dream the lover may see Krishna
and a rival beloved. This is called 'seeing the rival in a
dream".
Vijaya-kumara: What is directly seeing the rival?
Gosvami: The girl may directly see her beloved enjoying pastimes
with a rival. That is called 'directly seeing the rival'.
Vijaya-kumara: What is jealous anger without a cause?
Gosvami: When there is no real cause, but there is only a flimsy
reflection of a cause, and the heroin takes shelter of ya
(love), the result is jealous anger without a cause. Jealous
anger with a cause is itself a transformation of ya. When
the pastimes of ya are manifested, one by product is the
creation of jealous anger without a cause. This kind of jealous
anger is called 'ya-mana'. The ancient panditas declare
that spiritual love moves in a crooked way, like the movements
of a snake. That is why the heroine manifests these two kinds of
jealous anger, anger with and without a cause. This rasa has
many vyabhicari-bhavas. Among them concealment is the most
important.
Vijaya-kumara: How does the beloved pacify jealous anger without
a cause?
Gosvami: Jealous anger without a cause will be pacified
spontaneously. No effort is needed to pacify it. In the course
of joking and other like pastimes, it will go away. Jealous
anger with a cause will be pacified when there are conciliation,
quarrel, giving a gift, and bowing down to offer respects.
Jealous anger may also be pacified by shedding tears, by joking
pastimes, or in other ways also.
Vijaya-kumara: What is conciliation?
Gosvami: Speaking affectionate words is called
'conciliation'.
Vijaya-kumara: What is quarrel?
Gosvami: Quarrel is of two kinds: 1 crookedly praising one's own
glories, and 2 using a friend to criticise the beloved.
Vijaya-kumara: What is giving a gift?
Gosvami: When on some pretext an ornament or other gift is given
to the jealous beloved, that is called 'giving a gift'.
Vijaya-kumara: What is bowing down to offer respects?
Gosvami: When the lover humbly falls at the feet of the jealous
beloved, that is called 'bowing down to offer respects."
Vijaya-kumara: What is 'upeksa'?
Gosvami: When, seeing that neither conciliation nor any other
means will pacify His jealous beloved, the lover simply remains
silent, that is called 'upeksa'. Some scholars say that 'upeksa'
here means that by speaking joking words the lover pacifies His
jealous beloved.
Vijaya-kumara: You used the word 'rasantara'. What does that
word mean?
Gosvami: To speak words that bring sudden fear to the jealous
beloved is called 'rasantara'. Rasantara is of two kinds: 1
yadrcchika and 2 buddhi-purvaka. When it occurs accidentally it
is called 'yadrcchika'. When it happens because of the lover's
great intelligence it is called 'buddhi-purvaka'.
Vijaya-kumara: In what other ways can the lover break His
beloved's jealous anger?
Gosvami: One way is to play the flute at an appropriate time and
place. There are also other ways to remove the jealous anger of
the vraja-gopis. A small among of jealous anger may be easily
pacified. A moderate amount of jealous anger may require some
effort. Intense jealous anger is difficult to pacify, even with
great effort. When a gopi expresses her jealous anger at
Krishna, she may say, 'O crooked one, O crest-jewel of the
malicious, O king of cheaters, O king of the deceivers, O best
of the wicked, O great demon, O hard-hearted one, O shameless
one, O rake whose playing is a host of sins, O lecher who hunts
out the gopis, O thief of beautiful girls' hearts. O destroyer
of the gopis' piety, O rake who mocks the saintly gopis, O king
of the debauchees, O great darkness of sins, O thief of the
gopis' garments, O highwayman who lurks in the valley of
Govardhana Hill!"
Vijaya-kumara: What is 'prema-vaicittya'?
Gosvami: When, even though her beloved is present before her, a
girl suffers, mistakenly thinking He is far away, that is called
'prema-vaicitya'. When she is so overwhelmed with intense love
that her mind mistakenly thinks her beloved is far away, that is
called 'vaicittya'.
Vijaya-kumara: What is 'pravasa'?
Gosvami: When, although previously they were together, the hero
and heroine now stay in different countries, different towns,
different rasas, or different localities, that is called
'pravasa'. The vyabhicaris of the pravasa separation are all the
vyabhicaris of srngara-rasa except for joy, pride, passion, and
shyness. Pravasa is of two kinds: 1 buddhi-purvaka and 2
abuddhi-purvaka.
Vijaya-kumara: What is buddhi-purvaka pravasa?
Gosvami: When the beloved goes far away to perform a specific
duty, that is called 'buddhi-purvaka pravasa'. Krishna's duty in
this situation is to give pleasure to His devotees. This kind of
pravasa is of two kinds: 1 going a short distance, and 2 going
far away. When the journey is far away, it is of three kinds: 1
future, 2 present, and 3 past. When the journey is far away, the
lovers exchange letters.
Vijaya-kumara: What is abuddhi-purvaka-pravasa?
Gosvami: When fate forces the beloved to live far away that is
called 'abuddhi-purvaka pravasa'. In the grip of the demigods or
other forces, the lovers are forced into many different
situations. Anxiety, sleeplessness, agitation, being emaciated,
bodily limbs becoming discoloured, wild talking, disease,
madness, bewilderment, and death are the ten conditions of life
in this kind of pravasa. When Krishna goes far away, all these
ten conditions of life are manifested. O Vijaya-kumara, these
different kinds of spiritual love (prema) and these ten
conditions of life can be understood only by mercy. Without
mercy they cannot be understood.
Vijaya-kumara: When my heart thinks about this description of
separation, it says that separation is not an end in itself.
Rather, it is meant to increase the ocean of pleasure the lovers
feel when they meet. Although a soul imprisoned by Maya will
prefer the ocean of happiness obtained in meeting and think it
better than the rasa of separation, still, the rasas of
separation is eternally manifested. The Lord's pastimes would
not be so wonderful if it were absent.
include("end_body.php");
?>